Few forms,
repeated and never the same.
The disc, the ovoid, the prism. Each series is a different way of saying the same thing: presence and its trace. Here the series open one by one, with the works that compose them and the papers that prepare them.
The sculptural series
Dyski
DiscsThe disc as a field of tension: Weeping, Javelin, Recollection, Growth, Approach. Some carry a dedication.
Six discs in the room · twenty-two designs on paper Enter the room →Park stones
Ab Ovo · SferaPrimary forms made to stand in the open: Ab Ovo in Warsaw, Child for a Moment, Shelter, the two Civilisations.
Nine works in their places · 1975–2010 Enter the room →Odbicie
ReflectionsA face enclosed in a prism; opened, it shows the positive and the negative. The artist calls it «a sarcophagus of our life».
Two sculptures in the room · mahogany 1989, bronze 1992 Enter the room →Subiektywny
SubjectiveBusts that bring the emotional states outside: Subjective I and II, Torn, Merged.
Eight busts in the room · 1980–1999 Enter the room →The large woods
MonumentalMulti-element compositions in wood: Hiroshima, Exile, On the Threshold of Life, Hands.
Five compositions · 1968–1971 Enter the room →Funerary sculpture
TransienceTombs designed on commission for more than twenty years: the stone book, the tree with its roots, the drop.
Two works for Emil B. · the bronze and the stone Enter the room →The painted cycles
In the paintings the colour is the work: the painted cycles are always shown in colour.
Anioły
AngelsThe angels in pastel, often with a dedication in the title: the Archangel Raphael, an angel for Jacopo, one for Simona.
Ten angels in the catalogue · four carry a dedication Enter the room →Zatrzymane w Pamięci
Held in memoryThe cycle of the road and of waiting, 2004–2006: the Droga in three versions, the Oczekiwanie, the Rozpacz.
Seven sheets in the catalogue · 2004–2006 Enter the room →The series without a link are in preparation: they open one at a time.