Atlas

Under the open sky

Twenty-one works · seven countries · forty years

For a decade Antonina works in the open, in public, in countries not her own: two months on a sandstone block in a park, eight weeks inside a zoological garden, in full view of passers-by. Then she leaves, and the stone stays where it was born.

Her works are scattered across Europe by how they were made, not by where they were shown. This map is the story of that way of working.

Scroll to travel it

1971 · Slovakia

The first time she leaves

The wood sculpture symposium of Moravany nad Váhom, near Piešťany, with Tomáš Štraus as its theorist. Antonina is the only foreign participant. Out of it comes «Ręce»: five oak blocks two metres tall, from which hands reach out.

A reporter from Pravda watches her work and writes that the piece «awakens into speech a mighty archaic form, from which reach out the hands of man — of man who calls and who prevails». The following year výtvarný život ranks it among the finest works of the whole Moravany collection. The sculpture is still there, in the castle park.

Ręce, Castle park, Moravany nad Váhom
Ręce Castle park, Moravany nad Váhom · 1971
1976 · Slovenia

Wood is living matter

At Kostanjevica na Krki, in the Forma Viva park, she carves «Sfera»: three metres of oak. It is here that she says how she looks at materials — stone is dead matter, wood belongs to the living world and welcomes the chisel; a tree dies when it is felled, but the sculptor, giving it a new form, breathes new life into it.

Of the spherical mass with its core she says that it takes up the form of the eye, «the greatest creation of nature, able to look and also to see».

Sfera, Forma Viva, Kostanjevica na Krki
Sfera Forma Viva, Kostanjevica na Krki · 1976
1976–1978 · Germany

Three times in three years

The Reinhardtsdorf symposium gives her sandstone; the work that comes of it, «Zbliżenie», reaches the Treptower Park in Berlin and carries a German title there, «Werdendes». On the left flank is the incised signature: AWJ, 1976.

The next year she is at Hoyerswerda: eight sculptors from seven countries, two months of work, the theme a song by Brecht and Eisler. The stele with the text is a collective work and bears on its back the signatures of all eight — there is a signature of Antonina cut into stone, in Germany, and it is not on a sculpture of hers.

In 1978 the Rostock zoological garden calls her to carve before the public. She begins on 21 June on two sandstone blocks of two and a half tonnes each; she finishes in under eight weeks, before the zoo’s visitors, and on 15 August the work is unveiled by the director.

Cywilizacja II, Zoological garden, Rostock
Cywilizacja II Zoological garden, Rostock · 1978
1978 · Russia

And then, much further east

The only one that does not stand in the open, and the farthest of all. A relief of one and a half by seven and a half metres in the lobby of the Polish Embassy in Moscow, won at an invitation-only competition. She is already working on it in August 1977, while at Hoyerswerda, and mounts it on site the following year.

The subject is an eagle. Her own account keeps the political tensions of the worksite, over an eagle without a crown.

Orzeł, Polish Embassy, Moscow
Orzeł Polish Embassy, Moscow · 1978
1970–1992 · Poland

And meanwhile, at home

While she travels, Poland fills up. Płock in 1970, the Warsaw escarpment in 1975, Zamość in 1978, the little square of the Mielec library in 1979, the Praga district in 1980, Nieporęt in 1982 and again in 1990, the Ostrołęka church in 1992.

And in 1982 the Bródno cemetery, where she signs the tombstone of a seventeen-year-old boy, Emil Barchański: a funerary work, but in situ and open to visit, and tied to a public story.

Matka z książką, Library square, Mielec
Matka z książką Library square, Mielec · 1979
1992–1997 · Austria and Italy

The last departures

The twenty-fifth Krastal symposium, in Carinthia, moves its second stage to Villach for the first time, into the Stadtpark. The town bulletin tells how the neighbours at first took the sculptors for troublemakers, and ended up bringing them cakes and wine. «SOS Natur» stands today in the Millstatt park.

Then Italy, twice: the granite of Buddusò, in Sardinia, in the summer of 1995, and the sandstone of Fanano, in the Modenese Apennines, in May 1997.

SOS Natur, Millstatt park
SOS Natur Millstatt park · 1992
1975–2010 · Warsaw

A single city

The next quarter-century closes in around a single city. On the escarpment along the Trasa Łazienkowska stands «Ab Ovo», inside the open-air sculpture gallery opened with the road. In the Park Kazimierzowski, since 2000, the monument to the teachers of the clandestine schooling. At the Pole Mokotowskie, since 2010, «Etiuda».

«Etiuda» is the last large park sculpture she carves — and it is her sister Teresa who finishes it, when her own strength runs out.

Pomnik Nauczycieli Tajnego Nauczania, Park Kazimierzowski, Warsaw
Pomnik Nauczycieli Tajnego Nauczania Park Kazimierzowski, Warsaw · 2000
1970 — 2010

All together

Twenty-one works in seven countries, from Sardinia to Moscow.

Almost none ever came home: they stayed where they were made, which is how they had been conceived.

  1. 1970 U progu życia Płock
  2. 1971 Ręce Moravany
  3. 1975 Ab Ovo Warsaw
  4. 1976 Sfera Kostanjevica
  5. 1976 Zbliżenie Berlin
  6. 1977 Cywilizacja I Hoyerswerda
  7. 1978 Orzeł Moscow
  8. 1978 Cywilizacja II Rostock
  9. 1978 Dziecko na chwilę Zamość
  10. 1979 Matka z książką Mielec
  11. 1980 Schronienie Warsaw · Praga
  12. 1982 Zmaganie Nieporęt
  13. 1982 Nagrobek Emila Barchańskiego Warsaw · Bródno
  14. 1990 Wjazd Nieporęt
  15. 1992 SOS Natur Millstatt
  16. 1992 Rzeźba Chrystusa Ostrołęka
  17. 1995 Łza szczęścia Buddusò
  18. 1997 Intymny koncert Fanano
  19. 2000 Pomnik Nauczycieli Tajnego Nauczania Warsaw
  20. 2008 Ślady Stalowa Wola
  21. 2010 Etiuda Warsaw
·

The signs

  • Symposium carved on site, in public, and left there
  • Competition winning design, then built
  • Commission commissioned by a town, a zoo, a parish, a family
  • Placement a studio work, placed in the open